![]() Although some historical accounts gloss over the role of Alina in Eero’s career, she had insider contacts that proved hugely beneficial for the promotion of his ideas, even landing him a cover of Time magazine in 1956. Recently I traveled out to the Brooklyn Navy Yard to talk to a very pregnant Eva about the impetus for her new book, its dual structure, and the journalistic ethics of Aline Saarinen. “Now I observe myself ardently promulgating the Eero-myth,” she wrote in a letter to a friend. The book’s main argument is that Aline Saarinen largely invented the role of the architectural publicist. On Alina’s part, this shift might be seen as a submission of her own interests, but she took it upon herself to become Eero’s primary publicist. Aline’s role as a writer was undoubtedly compromised by her marriage – she believed she could no longer write unbiased exposes on architecture married to such a prominent architect, so she resigned her role with the New York Times – instead, she became Head of Information Services at Eeero Saarinen & Associates. Within just a year Eero had left his wife, and he and Aline were married. Alina wrote in a letter to Eero, “I looked at you very intently and thought how much I did want to see you again.” ![]() There was an immediate chemistry between them that neither could ignore and after parting company, the pair went on to share an intimate correspondence that would keep the flames of passion alive. Eero Saarinen Interior of the TWA terminal at JFK International AirportĪline adored Eero’s master plan, describing it as a “a twentieth century monument”, and the pair spent two intensive days together discussing the concepts that drove his vision.
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